{"id":148,"date":"2015-03-27T18:35:39","date_gmt":"2015-03-27T18:35:39","guid":{"rendered":"\/contents\/"},"modified":"2015-03-27T18:35:39","modified_gmt":"2015-03-27T18:35:39","slug":"contents","status":"publish","type":"page","link":"https:\/\/commentpress.openreflections.org\/?page_id=148","title":{"rendered":"Contents"},"content":{"rendered":"

<\/h1>\n
ACKNOWLEDGEMENTS<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
INTRODUCTION<\/a>\u00a0\u00a0\n\n<\/strong><\/pre>\n
CHAPTER 1. THEORETICAL FRAMEWORK AND METHODOLOGY<\/a>\u00a0\n\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
1.1 THEORETICAL FRAMEWORK<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
1.1.1 EXCAVATING THE HISTORIES OF THE BOOK<\/a><\/pre>\n
1.1.2 REMEDIATION AND GENEALOGY<\/a><\/pre>\n
1.1.3 PERFORMATIVITY AND ENTANGLEMENT<\/a><\/pre>\n
1.2 METHODOLOGY: THEORETICAL <\/strong><\/a><\/pre>\n
1.2.1 SCHOLARLY CONFORMISM<\/a><\/pre>\n
1.2.2 DEVELOPING A CRITICAL PRAXIS<\/a><\/pre>\n
1.2.3 THE (RE)PRODUCTION OF THE PHD STUDENT<\/a><\/pre>\n
1.2.4 CRITICAL PRAXIS AS SELF-ASSERTION<\/a><\/pre>\n
1.2.5 RE-ENVISIONING OUR RESEARCH PRACTICES<\/a><\/pre>\n
1.3 METHODOLOGY: PRACTICAL<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
1.3.1 A DIGITAL, OPEN, AND COLLABORATIVE RESEARCH PRACTICE<\/a><\/pre>\n
1.3.2 A DIFFERENTIAL THESIS<\/a><\/pre>\n
1.3.3 VERSIONING\n\n<\/a><\/pre>\n
CHAPTER 2. FRAMING THE DEBATE.THE STRUGGLE FOR THE PAST AND FUTURE OF THE BOOK\u00a0\u00a0\u00a0<\/a>\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
2.1 BOOK HISTORY: THE COMMUNICATION CIRCUIT<\/a>\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
2.1.1 BOOK HISTORY: TOPICS AND DICHOTOMIES<\/a><\/pre>\n
2.1.2 DEBATING THE BOOK<\/a><\/pre>\n
2.1.3 THE DEBATE BETWEEN JOHNS AND EISENSTEIN<\/a><\/pre>\n
2.1.3.1 Representationalist Discourse<\/a><\/pre>\n
2.1.4 NEW HISTORICISM AND FEMINIST CRITIQUE<\/a><\/pre>\n
2.2 THE DISCURSIVE MATERIALITY OF THE BOOK<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
2.2.1 PRINT-BASED ESSENTIALISMS<\/a><\/pre>\n
<\/pre>\n
SECTION 1. AUTHORSHIP\u00a0<\/strong><\/a><\/h4>\n
\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
CHAPTER 3. THE PERSEVERANCE OF PRINT-BASED AUTHORSHIP WITHIN HUMANITIES SCHOLARSHIP\n<\/strong><\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
3.1 AUTHORSHIP AND THE BOOK HISTORICAL DISCOURSE<\/a>\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
3.2 CRITIQUING AUTHORSHIP IN THEORY<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
3.3 CRITIQUING AUTHORSHIP IN PRACTICE<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
3.3.1 HYPERTEXT<\/a><\/pre>\n
3.3.2 COLLABORATIVE AUTHORSHIP<\/a><\/pre>\n
3.3.3 AUTHORSHIP IN ACADEMIC REMIX PRACTICES<\/a><\/pre>\n
3.3.3.1 The Selector or Curator<\/a><\/pre>\n
3.3.3.2 Wikis<\/a><\/pre>\n
3.3.3.3 Creative Commons<\/a><\/pre>\n
3.4 TOWARDS POSTHUMANIST FORMS OF AUTHORSHIP?<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
3.4.1 PLAGIARISM<\/a><\/pre>\n
3.4.2 ANONYMOUS AUTHORSHIP<\/a><\/pre>\n
3.4.3 THE EMERGENCE OF A POSTHUMANIST AUTHORSHIP CRITIQUE & PRACTICE\n<\/a><\/pre>\n
<\/pre>\n
SECTION 2. THE SCHOLARLY SYSTEM OF MATERIAL PRODUCTION AND THE BOOK AS COMMODITY<\/strong><\/a><\/h4>\n
\u00a0<\/strong>
\n<\/strong><\/h4>\n
CHAPTER 4. NARRATIVES OF BOOK FORMATION<\/strong><\/a>\u00a0\u00a0\u00a0\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
4.1 INTRODUCTION<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
4.2 THE SCHOLARLY MONOGRAPH AND HISTORICAL DISCOURSES OF OBJECT-FORMATION\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/a><\/pre>\n
4.2.1 DISCURSIVE REFLECTIONS ON THE DEVELOPMENT OF THE MODERN SYSTEM OF SCHOLARLY COMMUNICATION<\/a><\/pre>\n
4.2.1.1. Print Technology<\/a><\/pre>\n
4.2.1.2 The Commercial Book Trade<\/a><\/pre>\n
4.2.1.3 The Academies and the Journal System<\/a><\/pre>\n
4.2.1.4 University Press Publishing<\/a><\/pre>\n
4.2.1.5 The Monograph Crisis<\/a><\/pre>\n
4.3 THE NEOLIBERAL UNIVERSITY AND THE MARKETISATION OF ACADEMIA\n<\/strong><\/a><\/pre>\n
\nCHAPTER 5. NEW MODELS OF KNOWLEDGE PRODUCTION. OPEN ACCESS PUBLISHING & EXPERIMENTAL RESEARCH PRACTICES\n\n<\/strong><\/a><\/pre>\n
5.1 INTRODUCTION<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
5.2 OPENNESS AND OPEN ACCESS PUBLISHING<\/a>\u00a0 <\/strong><\/pre>\n
5.2.1 REASONS AND MOTIVATIONS BEHIND OPEN ACCESS<\/a><\/pre>\n
5.2.2 THE POTENTIALS AND PITFALLS OF OPEN\u2019S \u2018OPENNESS\u2019<\/a><\/pre>\n
5.2.2.1 A Genealogy of Openness and Secrecy<\/a><\/pre>\n
5.2.2.2 Openness Contested<\/a><\/pre>\n
5.2.2.3 The Neoliberal Discourse on Open Access<\/a><\/pre>\n
5.2.2.4 Radical Open Access<\/a><\/pre>\n
5.2.2.5 Radical Open Politics<\/a><\/pre>\n
5.3 EXPERIMENTAL RESEARCH PRACTICES<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
5.3.1 COMMODIFICATION OF KNOWLEDGE &THE BUSINESS LOGIC OF INNOVATION<\/a><\/pre>\n
5.3.2 CULTURAL STUDIES AND EXPERIMENTATION<\/a><\/pre>\n
5.3.3 RADICAL OPEN ACCESS AND EXPERIMENTATION<\/a><\/pre>\n
5.4 CONCLUSION<\/a>\u00a0\u00a0\n<\/strong><\/pre>\n
SECTION 3. FIXITY<\/strong><\/a><\/h4>\n
 <\/p>\n
CHAPTER 6. ON LIQUID BOOKS AND FLUID HUMANITIES<\/strong><\/a>\u00a0\u00a0\n\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\n<\/strong><\/pre>\n
6.1 FROM ORALITY TO FIXITY?<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
6.2 FLUID PUBLISHING<\/strong><\/a><\/pre>\n
6.2.1 REMIXING KNOWLEDGE<\/a><\/pre>\n
6.2.1.1 Modularity<\/a><\/pre>\n
6.2.1.2 Fluid Environments and Liquid Publications<\/a><\/pre>\n
6.2.1.3 The Archive<\/a><\/pre>\n
6.2.2 THE LIMITS OF FLUIDITY AND STABILITY<\/a><\/pre>\n
6.3 REMIX AND THE CUT: CUTTING SCHOLARSHIP TOGETHER\/APART\u00a0\u00a0\u00a0 <\/strong><\/a><\/pre>\n
6.3.1 THE MATERIAL-DISCURSIVE CUT WITHIN A PERFORMATIVE FRAMEWORK<\/a><\/pre>\n
6.3.1.1 Cutting Well<\/a><\/pre>\n
6.3.2 THE AFFIRMATIVE CUT IN REMIX<\/a><\/pre>\n
6.3.3 THE AGENTIC CUT IN REMIX<\/a><\/pre>\n
6.4 RE-CUTTING THE SCHOLARLY APPARATUS<\/a>\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
6.4.1 OPEN-ENDED SCHOLARLY RE-CUTTING<\/a><\/pre>\n
6.4.1.1 Remixthebook<\/a><\/pre>\n
6.4.1.2 Living Books about Life<\/a><\/pre>\n
6.5 CONCLUSION<\/a>\u00a0\u00a0 <\/strong><\/pre>\n
\nCONCLUSION<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n
BIBLIOGRAPHY<\/a>\u00a0\u00a0\u00a0\u00a0 <\/strong><\/pre>\n","protected":false},"excerpt":{"rendered":"
ACKNOWLEDGEMENTS\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 INTRODUCTION\u00a0\u00a0 CHAPTER 1. THEORETICAL FRAMEWORK AND METHODOLOGY\u00a0 \u00a0\u00a0\u00a0\u00a0 1.1 THEORETICAL FRAMEWORK\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 1.1.1 EXCAVATING THE HISTORIES OF THE BOOK 1.1.2 REMEDIATION AND GENEALOGY 1.1.3 PERFORMATIVITY AND ENTANGLEMENT 1.2 METHODOLOGY: THEORETICAL 1.2.1 SCHOLARLY CONFORMISM 1.2.2 DEVELOPING A CRITICAL PRAXIS 1.2.3 THE (RE)PRODUCTION OF THE PHD STUDENT 1.2.4 CRITICAL PRAXIS AS SELF-ASSERTION 1.2.5 RE-ENVISIONING OUR RESEARCH PRACTICES […]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-148","page","type-page","status-publish","hentry","post","clearfix"],"_links":{"self":[{"href":"https:\/\/commentpress.openreflections.org\/index.php?rest_route=\/wp\/v2\/pages\/148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/commentpress.openreflections.org\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/commentpress.openreflections.org\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/commentpress.openreflections.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/commentpress.openreflections.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=148"}],"version-history":[{"count":0,"href":"https:\/\/commentpress.openreflections.org\/index.php?rest_route=\/wp\/v2\/pages\/148\/revisions"}],"wp:attachment":[{"href":"https:\/\/commentpress.openreflections.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}